Tuesday, 22 September 2015

Some people, right?

Human beings were not born to be polite to each other. If you don't believe me, look at children. Who would think, in their right mind, that a child can be courteous and respectful from birth? These are taught values- constraining and restraining. We are evolved primates. Our close cousins- Chimps and Orangutans; do you see them nod to each other, making way for the disabled and weak as they go around the jungle? Well maybe, they do. I don't know, I am not a zoologist or an animal behaviour specialist, alright?

Anyway, the point is- we are designed to be selfish and rude. Nature has selected those qualities and that's why they exist. At least in Delhi- Gurgaon area, you can see this natural selection at its magnificent best.

You may bump into a polite stranger every once a while but, the beauty of just elbowing past a crowd to get to the HUDA metro station gates first is a sight to behold. There are those bad apples who hold doors for strangers and park their cars the right way but, thankfully, we have more people honking at traffic signals and overtaking you at sharp turns to keep the faith alive.

Being rude is not disrespect to the community, mind you. It is pro-society. It tells the individual that the world is a bad, bad place and every single person needs to watch out for themselves. Rudeness is the best teacher. In schools, the textbooks need to make the necessary alterations. In moral science, they should tell the young buds that when a stranger asks you for directions, you should just point skywards. Because, God knows everything. They should also teach them that when a stranger hands you their camera to take a picture of them, you should just run with it. Not the idea, damnit! Run with the camera. And then drop it in a nearby dustbin because you are not a thief. You are their teacher. Their life coach!

Also, abuse all privileges! That should be our national motto. Not Satyamev Jayate. Amir Khan should be weeping over those who do not abuse their privileges enough. We are doing it all wrong and this is the time to wake up! When you meet someone new, do not ask them how they are. Tell them what you want from them! And then demand it. Say no to politeness, say no niceties. Also, to throw in a bit of hypocrisy in there, call your rudeness- your genuineness.

Always be genuine.

Issued in public interest by Abhyused. Not really. All rights reserved. Really.


Monday, 7 September 2015

Book Review: Laal Tin Ki Chhat (The Red Tin Roof) by Nirmal Verma



This is a novel by one of the most foremost novelist in Hindi literature- Nirmal Verma. Now, there are two travesties with this review- one- it is being written in English while the novel was in Hindi and two- the novel is not available on any of the e-commerce websites at the time when the review is being written.

Anyway, great literature transcends all barriers and much will be lost in translation but, it is worth writing about. You can always read the English translation of the classic which is available by the name - 'The Red Tin Roof'.

The story is about a girl Kaya and how she treads hesitatingly and awkwardly on her path from childhood toward adolescence. She watches as her mother suffers during stillbirths and depression. She watches as her uncle shares carnal relations with a maid from Nepal. She watches the crankiness of Ms Joshua- the British lady who lives with her family. The multitude of layered characters create an enticing field.

Then there is her paternal aunt's daughter Lama. She is the most curious character and seems to be battling with crippling depression. Depression which comes as a pathology and unlike any other disease causes severe repercussions on her whole personality. It is unclear whether Lama was schizophrenic but the author has treated the whole episode with amazing finesse. The story is from the viewpoint of a kid so, there is a unique sense of wonderment in the worldview she shares with the reader. Everything is hazy and dreamy. The smallest noises, events and characters are painted in most curious colours. The novel slowly moves toward Kaya's adolescence and the narrative never really intends to hurry or make a point for that matter. It is all in the beauty of words which you have to feel to believe.

A brilliant novel from a master wordsmith.

5 stars.

Tuesday, 1 September 2015

Book Review- Rise of Kali- Anand Neelakantan

ISBN- 978-93-81576-04-5
Title- Rise of Kali
Series- Ajaya- Epic of the Kaurava Clan
Volume- II
Author- Anand Neelkantan
Publisher- Platinum Press (www.leadstartcorp.com)
Price- Rs 399
Pages- 529
Genre- Fiction/ Epic



The second installment in the series of Ajaya (The opposite of Jaya) is Rise of Kali. Volume I of the series was a nationwide bestseller and opened the readers to the possibility of Suyodhana (knows as Duryodhana) being a misunderstood figure.

The first volume of the series: Roll of the Dice

Expectations were huge from this book too as it is the continuation of the epic Mahabharata from another perspective and of course, the readers are curious to know more about the other side, or so to speak, of the fence. Well, the book begins with an author's note where he explains how he has learned the art of viewing things critically from Gita itself. He also has included Gita in his book but here the dialogue is between Krishna who is with Arjuna and is inclined toward war and Balrama who sympathizes with Suyodhana. Balaram is questioning Krishna and Krishna is justifying his acts in the name of Dharma. Author has also addressed the issue of showing Krishna in an unflattering light in his books.

About the author
This is Anand Neelkantan's third book after Asura and Ajaya (Part I). In his own words, he was born in a village with more than necessary number of temples. His tryst with mythology and religion started early on in his life and he has been fascinated ever since.

About the book
The cover has an ominous picture of a vulture flying in the face of solar eclipse. Just like the earlier book, this one also has been beautifully designed. The pages have a crisp feel to them. The typeset is of international standards. The blurb at the back reveals nothing but the basic premise of the book which is essentially- 'Mahabharata retold'. Praise from reputed newspapers and magazines like The Week and DNA are enough for one to be sold to the idea of the book.

The language is simple with short sentences and fast narrative. The book is divided into 85 chapter for easy readability. A preview to the happenings in the previous book make the book a good purchase as a stand-alone product too.

About the plot
The book picks up the story from the scene of Game of Dice where Draupadi is mercifully pawned. Of course in this book, there is no magical Krishna to extend the saree of Draupadi as 'Dushasana' pulls on it. It is a less dramatic, but more believable version of the situation. The dialogues in the book are not low on drama though. Every line compels you to put yourself in the character's situation and feel his dilemma.

The writing is divided in shorter paragraphs which are easy on the eye and the plot moves very smoothly. The book is a brilliant example of how to engage the reader through merely the use of dialogues and interesting situations. The author has used his imagination in most situations and although they might not be the real history of those times, they are definitely more realistic than the actual texts.

I would rate the book with 4 out of 5 stars.

****/5

Saturday, 15 August 2015

Book review- The Curse of Surya- Dev Prasad


ISBN- 978-81-8400-622-3
Title- The Curse of Surya
Author- Dev Prasad
Publisher- Ebury Press/ Random House India
Genre- Fiction/ Thriller
Pages- 304
Price- 299
eBook- Available

About the author
The author Dev Prasad is a senior IT professional in Bangalore and his previous books- Krishna- A Journey Through Lands and Legends of Krishna and Pitch It! were well received by the readers. His interests lie in philanthropy and sports.

About the cover
The cover photograph has been done by Getty images and it captures what seems to be Mathura's Krishna temple under solar eclipse which fits quite well with the narrative of the book. The mysterious images of Sun or Surya adorn the front and back cover providing a stark contrast to the dull blue background. The effect is pleasing to the eye and is definitely a classy piece of art.

About the book
The blurb at the back cover introduces the protagonists Sangeeta Rao- a beautiful, feisty reporter from Singapore, Alan Davies- a charming Welshman. Misunderstandings turning them into fugitives, cryptographs to unearth Shyamantaka - a jewel lost 5000 years ago and Anton Blanchard- an elderly Frenchman joining them in their quest (because, everything is better with a little French in it). On the other side of the spectrum are SP Nisha Sharma and terrorist organizations who are in pursuit of our fugitives.The book claims to be a fast paced thriller laced with twists and deceits.

The size of the book is that of an average metro read which can easily be placed inside small bags. It is well printed and there are hardly any printing mistakes. The pages are off-white and are thick enough for recycled offset paper. The font is Adobe Garamond which is my favourite.

About the plot
The book is written in an action movie format with every new section starting with location and date. The book falls in the trap of the oh-so-familiar Robert Langdon loop of cracking codes and travelling across the country. The author hasn't innovated enough in the plot department but, he has delved deep enough in Indian mythology to keep the book interesting. One can easily see hints of Dan Brown in the way the book is written. The geographical coverage in the book is remarkable and says something about the rich heritage of India. Pick this one up if you are looking to brush up your knowledge of Indian mythology and ancient history.

About the language
The book is an easy read. The words are simple and sentences are short and the whole book is divided in smaller, easy to read chunks. It helps maintain the flow of the reading and doesn't let fatigue set it. The language is of course, not the highest point of the book. The author doesn't paint pictures of places described in the book. He does take you to the place with his words though. One gets the idea that the book is written with a single mind and that is to thrill and engage. Fair enough. The book succeeds in that department. There are cheesy lines like 'He may have keys to the temple but, I have the key to his heart' which make you cringe but then there are moments when you uncover great mysteries or set sail on great adventures so, let the tiny grudges go.

Here is hoping that I didn't give any spoilers. Do let me know if you have any specific points to discuss about the book though.

All in all, a good one time read.

2.8 out of 5 stars